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#conceptual

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🥳NEW PUBLICATION OUT NOW #OpenAccess :“TRANSMISSIONS, DECISIONS, DISCOURSES” (with @DannicaFleuss)
Our paper proposes a #conceptual & #methodological framework for assessing “communicative flows” in democratic systems: How to study diverse forms of (diverse) #democraticinnovations #impact on #policymaking (over time)?

➡️ doi.org/10.1111/spsr.12657

@academicch @dvpw
#polsci #politicalscience #science #deliberation #democracy

Ciao, Goeie, Hello everyone! 🐦🔥

Some information about me and my work! I grew up in a nature reserve in Frisia, where my early interest in observing and documenting the world around me began.

I studied art at the Royal Art Academy in The Hague and Philosophy at the University of Groningen.

My art is displayed in several museum collections, and I have participated in various exhibitions and artist residencies across Europe.

After working full-time in printmaking for over 20 years, I began incorporating photography into my practice six years ago.

My work exists between the realms of photography and printmaking, combining traditional craftsmanship with modern techniques.

In my ongoing project Orlando, I reimagine Virginia Woolf’s Orlando, using conversation and photography to explore the nuances of human identity beyond stereotypes and traditional representations.

I see photography as a powerful research tool, merging its evidential nature with emotional and human perspectives.

Collaboration is central to my practice, and for the project Fûgels, I work with artists, writers, activists, and scientists, exploring ways to combine activism, environmentalism, art, and science into an artistic project.

#art #new #photography #print #experiment #artist #bird #conceptual #environment #b/w #analoog #analoge #ets #fotografisch #josewitteveen #samenwerking

A thread on a little #Conceptual #Art #History, with a touch of #Ambient music and #Geopolitics . In 1999 some artists set up a spoof #NATO propaganda operation called NATOarts (www.natoarts.com). It was all a bit tongue-in-cheek, using the language of euroatlantic security and NATO's institutional legitimacy to say something (what exactly?) about that moment at the end of history. It was a shiny, name-badgey, international trade-punk artistic exercise wrapped in a plausible story.